The Wicklow mountains - up close

Wicklow in winter

The Wicklow Mountains seen from Dalkey

Ernest Junger

Germany again. Storm of Steel, the classic account of trench warfare by Ernest Junger, in a new translation by Michael Hoffman. Better than any comment, a transcript will give the flavor and the power of the descriptions. This from the first stages of the battle of the Somme:
"Occasionally my ears were utterly deafened by a single fiendish crashing burst of flame. Then incessant hissing gave me the sense of hundreds of pound weights  rushing down at incredible speed, one after the other. Or a dud shell landed with a short , heavy ground-shaking thump. Shrapnels burst by the dozen, like dainty crackers, shook loose their little balls in a dense cloud, , and the empty casings rasped after they were gone. Each time a shell  landed anywhere close the land flew up and down, and metal shards drove themselves into it".
Or this description of the first dead man seen upon arriving at the battlefield:
"A giant form with red blood-spattered beard stared fixedly at the sky, his fingers clutching the spongy ground"
Images, sounds, sensations are conjured in your head, vivid as in a film which you might or might not have seen.

Albert Speer's Battle with the Truth

Just spent 10 days frantically reading, at every opportunity, the 700 plus pages of Gitta Seveny's book, Albert Speer: His Battle with the Truth, which I stumbled upon browsing in a second hand bookstore in Foxrock, Dublin. This biography, based on hours of interviews with Speer, his family and friends, and unparelled access to his documents, traces Speer's life from his unhappy youth as the second of three sons of an upper middle class couple, stern, cold and snobbish germans, his swift rise to become Hitler's architect, his deep bond with Hitler, his spell as Minister of Armaments, when he became one of the top figures of the Third Reich, his gradual disillusionment with Hitler, his acceptance of his share of responsibility for Hitler's crimes, his twenty years imprisonment in Spandau, his liberation in 1966, the enormous success of his memoir "Inside the Third Reich", his partial rehabilitation as a living memory of the Third Reich, his loneliness, his improbable love affair at the end of his life, and finally his death in a hotel room in London, hours after taping a long BBC interview, in 1981. The book hinges on Speer's overwhelming feeling of guilt for the genocide of the jews and, finally, his incapacity to acknowledge that he knew. Part morality tale, part intimate portrait of Hitler's circle, part psychological investigation, it helps us to grasp the collective madness that gripped Germany in the 1930's and the way post war Germany tried  to come terms with it - perhaps an impossible task given the enormity of the crimes.

Francis Bacon's studio

Squalor is the word that comes immediately to mind at the sight of Francis Bacon's studio, painfully reconstructed at the Hugh Lane Gallery in Dublin. The photographs do not convey the feeling of the place: a suffocating atmosphere of confinement — the studio was located in a small attic — the accumulated layers of dirt and débris, the single forlorn electric lamp hanging limply from a cord, a recurrent motif in Bacon's paintings, the familiar books of Velazquez eviscerated on the floor convey an impression of unbearable loneliness, anguish and despair. It is truly the alchemist's cove, where dross is turned into gold.

The lives of Limonov

"Limonov", by Emmanuel Carrère, is a great book, one of those which, once opened, immediately stands out from the pile and demands to be read. It tells the true story of Limonov, writer and soviet exile, who hanged out with Richard Hell at CBGB's and Rodovan Karadic in Pale, and is now the leader of the National Bolshevik party and a self styled hero for Russian youth. A pure non-conformist type, a bit of a "provocateur", his life led him from the Moscow underground under Brejnev, to New York and Paris, where, hungry for recognition, he achieved a kind of fame as the author of a series of autobiographical books depicting his (mis)adventures in appalling detail ("Le poète russe préfère les grands nègres"," Journal d'un raté" etc). His life — or rather his lives — are wonderfully told by Emmanuel Carrére, himself a kind of russian expert by default, being the son of the famous sovietologist Helene Carrere d'Encause, now in the Académie Française. It is a strange, oblique, moving and funny morality tale about the Soviet Union and the West.

1Q84

In the past, movies were shot like novels. Now, novels are written like movies. The language of cinema has infiltrated literature. Novels are becoming more visual, less psychological. Characters act in discrete scenes, rather than think or feel in a great continuum. Plot is more important than style. I have just finished the 925 pages of 1Q84, the first book by Murakami I have ever read and I feel like I went to a movie — well maybe a movie and a couple of sequels. I cannot really explain why I finished the novel — it did not seem to me great or unputdownable. Somehow, though, the story draws you in and so does the style — as he himself says, deceptively simple. It felt like a kind of pop literature of a high order.